武夷学院学报

作为一种特殊的地理空间形态，乡村博物馆代表着乡村振兴的新思路与新途径，同时也作为一种非自然的空间产物，承载着多元复杂的空间使用主体。游览者、村民、规划管理者作为乡村博物馆的不同空间生产者，共同塑造乡村博物馆的面貌。从空间生产理论视野，基于三元空间理论，从空间实践、空间表征、表征空间三个层面着手，探究以上三个群体目前展开的乡村博物馆空间生产实践现状，总结其特征，梳理目前乡村博物馆所发挥的功能。研究发现，游览者的空间使用是将乡村博物馆作为唤醒文化自觉的场所、村民的空间使用是将乡村博物馆作为舞台“展演”与生活“展演”的场所、规划管理者的空间使用是将乡村博物馆作为地方建设成就“展演”的场所。在乡村博物馆空间中，游览者、村民、规划管理者三大使用主体之间是动态的平衡关系，统一于乡村博物馆建设实践之中。

As a special geographical spatial form, rural museums represent new ideas and approaches for rural revitalization, and also serve as a non natural spatial product that carries diverse and complex spatial users. Tourists, villagers, and planning managers, as different spatial producers of rural museums, jointly shape the appearance of rural museums. From the perspective of spatial production theory and based on the theory of ternary space, starting from three levels of spatial practice, spatial representation, and representational space, this study explores the current status of spatial production practices in rural museums among the above three groups, summarizes their characteristics, and sorts out the functions currently played by rural museums. Research has found that tourists use rural museums as places to awaken cultural consciousness, villagers use rural museums as places for stage “performance” and life “performance”, and planning managers use rural museums as places for local construction achievements “performance”. In the space of rural museums, there is a dynamic balance relationship among the three main users: tourists, villagers, and planning managers, which is unified in the construction practice of rural museums.